一張（具象）繪畫作品或視覺的構成，該具備什麼？點、線、面、色彩、空間、結構、造型、構圖、肌理、層次、筆觸⋯⋯，這些在繪畫教學中時常被提及的元素，反覆地讓我重新思考。「回到繪畫自身」，重新去建構這些基本的元素，也是這次展覽作品籌備之初，給自己的一個小功課。
這次展出的三個小系列，都是以極簡單物件，極簡單的畫面元素，假的擬仿真的，真的擬仿假的。重新去梳理我對繪畫的知識，並對於今日影像時代的擬仿。
What should a (figurative) painting or visual composition possess? Points, lines, surfaces, colors, spaces, structures, shapes, compositions, textures, layers, brushstrokes..., these elements that are often mentioned in painting teaching have repeatedly made me rethink the essence of painting. "Returning to painting itself" and reconstructing these basic elements are the assignment for myself at the beginning of the preparation of this exhibition.
The three series exhibited this time are all based on extremely simple objects and extremely simple elements. Through simulating real objects with fake ones, and creating simulacra with real items, this exhibition reorganizes my knowledge of painting, and demonstrates the simulacra of today's image age.
